Thursday, April 2, 2015
Mastering The Ring
As we put the finishing touches on a new round of Le Cirque de Nuit, I find myself reflecting on this creative process of mine. The mind map for this production is labyrinthine, it stretches back many years, and has been hand-drawn, shaded and re-coloured according to my personal belief system and the influences that have passed over that.
I always wanted a Circus. I thought burlesque and circus could work so well together, and that was the motivation behind The Beautiful Freaks Burlesque Circus. Beautiful Freaks was to be a kind of melding of circus, burlesque and dark cabaret influences. It worked too, but I let it go in a moment of self-doubt. Lesson One: Don't let that happen again.
The story of how we came to The Night Circus is part of the annals now, and has been included in more than one interview: newly arrived at Guerilla Burlesque and on my Facebook friends list, Gloriana Maertens recommended a novel to me, and I was so caught by the imagery within it, it was easy to imagine it in Second Life.
It wasn't my first foray into an event production. Mark Moffre and L.David Hesler had both very generously allowed me to work with their original music to create dance entertainment productions, and I'd learned a great deal about managing my own team and piecing together the elements of a show on their time.
But Le Cirque De Nuit brought it's own magic with it. It arose at a time when I needed very badly to work, and at a time when Arrehn Oberlander's work towards scripted cameras began to show results. And, of course, at a time when Gloriana was available and willing to do the work of building it.
This is what I enjoy most in these projects. Imagining a notion, and drawing together the people who can profoundly influence it. I cannot now imagine a circus project as compelling, as satisfying, as the one Glori, Arrehn and I have majicked together - and I use the term deliberately. Cirque is charmed, I am convinced of it.
The original story, if you do not know, is a tale of two illusionists - one naturally gifted and born into The Business. One carefully selected and trained to it. They were raised to compete against each other, with the ultimate goal of proving which method is the more powerful.
I don't actually believe in magic, of course. But it's not hard to imagine the three of us casting our different energies at that sphere in the sky above Idle Rogue.And then came the dancers, every one of them on target despite a very soft brief. I hadn't known what we could have until they brought it, and it was an indescribable joy to watch it unfold.
I am not easy to work with. I choose people based on their talent, and then let them alone to work up their part of the process. I figure they'll call me if they need me, and I can move onto another part of the plan.
They hate it.
My mission, it transpires, is to try and manage creative people who are capable of a high level achievement. This requires a serious humility, and I sometimes fail at it. I do not doubt I take it all too seriously. But there is fun, there is wonderful fun, when it all comes together - and it comes together this weekend. I hope you can make it!
Skin - Amber Fair "Smokey" by League
Body and Hands - SLink Physique
Hair: Zaara in Black Amber (modified for hat) by D!va
Makeup - Circuit in Black by Beautiful Freaks (link to blog)
Harley by MUA
Eyes - Promise Oxidation by Ikon
Tattoo - Bohemian by Letis
Nails - Dante's Daddles by Koffin Nails
Coat: Alvira Frock Coat by Dark Passions
Chemise: from "Chantilly" by Boudoir
Pants: from "Applause" by GlitterMonster
Boots: Anakre from "Raine" by The Plastik
Monocle by Yasum
Hat by Timelines Vintage Couture
Cravat by Ladies Pleasure (marketplace)
Nose-ring by Zaara
Garter by LouLou & Co
Cane by Creative Insanity (marketplace only)